I think that All Star Music has Disney feel, because it is staged and pays attention to detail the way Disney pays attention to the details in the parks. The theming is also a bit more subtle at All Star Music.
At least the All Star resorts do not have words like "DUH" plastered all over the buildings.
All Star Music has normal sized props spread around the grounds to help with the theming.
We're really throwing the phrase "theming" around rather loosely. Space Mountain is a themed roller-coaster - it ostensibly simulates a "race through time and space"; Primeval Whirl is a decorated coaster - it doesn't even try to simulate an illusion you are really going back in time, it only has decorations which dress up (rather sloppily) an off-the-shelf coaster.
The value resorts, much like a really bad movie, do have their moments - which may occasionally reveal a kernel of class, style, or even a token gesture towards proper-Disney standards, but these elements are still just decorations and do not constitute 'theming'. Your photographs illustrate many of Music's better qualities, and indeed - you might argue that All-Star Music is aesthetically the best (if marginally) of the value resorts.
I'm glad that Disney, by accident or design, has a resort structure which is well suited to your needs. It also meets the needs of a lot of us by providing a more reasonably priced place to stay, and I look forward to my upcoming stay at the Funky Chicken Lodge (Pop Century). Neither of those facts, nor what we personally think about the place, has anything to do with whether the property is well-themed (tells a story) or just decorated concrete structures. But why, one might reasonably ask, cannot lower-cost accommodations adhere to the same basic standards which Disney itself established for resorts. It wouldn't be as "nice" (fancy), offer so large a room, or have nearly as many amenities as a deluxe property, obviously, but there is no reason why inexpensive has to equal tacky.
You cannot create a 'Jazz'
theme with just a fountain and little else, nor can you make the guest feel like they really are staying on Broadway by placing a garden and single cab on a fake 'street' out front. If the Jazz buildings were carbon-copies of what already exists at Port Orleans, then yes - you could be well on your way to a Jazz themed resort section (yes, I know - why would Disney copy Port Orleans over at the All-Stars, but that's not the point - you get the idea). Again, these elements may (very slightly) improve upon the otherwise tacky decorations of the resort, but they woefully fail to create a feeling of time or place, and here are utilized only as less-tacky design elements - nothing more than mere decorations. Actually, nothing precludes the creation of a non-tacky decorated resort; For the same money spent on oversized fiberglass (it wasn't cheap), you could have more tastefully-designed decorations or - imagine this - actually craft a design which attempts to portray an actual, legitimate theme. Maybe it won't be as immersive as the Polynesian, being a 'value' resort, but at least it wouldn't be tacky.
I said they weren't about creativity, meaning I don't think they were built in mind by Disney saying "Let's make these resorts something amazing and different!!!".
Which is exactly the problem. They fail to meet Disney's own standards -
they didn't even try to make something creative or which would 'wow' the guest. A lower price point is no excuse for lack of effort.
What should Disney have done? Instead of the All Stars built another Polynesian type resort and charge $400 a night for those rooms? The Value Resorts were an ingenios move on the part of Disney.
By most accounts, Disney could sell the Polynesian rooms at All-Star prices and still make a (small) profit. I'm not suggesting they do that, as the deluxes are worth more and demand alone will support a much higher price, but it is an element of greed which dictates a cheapened experience for lower-priced accommodations.
The Value resorts aren't about creativity. They're about allowing guests who could otherwise not afford to do so a chance to stay on Disney property.
Maybe the nearly 3,000 rooms at Pop and the 6,000 rooms at All Stars that are always filled are filled with people who are all making a huge mistake.
They were done to capture some of the business previously lost to off-site hotels, but instead many of the rooms are filled with families who otherwise would have stayed on-site anyway at a moderate or deluxe. It's fine, or even a good idea, to go after this business - it's the way they went about it which is the primary problem.
In a strange way, the values are a more authentic Disney experience than some of the deluxes.
How so? Because they have huge images of the characters attached to the side of the buildings? At best, they represent a very superficial portrayal of the "Disney experience". Pop Century or the All-Stars make you feel like you have stepped into...a hotel in central Florida. No, you probably can't really do that anywhere else - but properly themed Disney resorts transport and immerse you in a different place ("stepped onto a movie set", or "into a dream"), from New Orleans (Port Orleans) to Africa. The decorated value resorts make you feel like you are in a...decorated WDW resort. That's not fantasy - that's reality.
It's sort of like Magic Kingdom vs. Epcot. Both have incredible theming and attention to detail, but there is a sense of wonder and fun and magic at MK that just doesn't exist at Epcot.
Please...tell me you're kidding!!! The wonder (and sense of awe) in Epcot - and Future World in particular - from opening day in 1982, is something that has never since been equalled.
Why go to a fake Hawaiian resort when you could travel to a real one?
Why go to a fake Cape Cod seaside resort when you could travel to a real one?
By that standard, World Showcase should not exist. Even with the resort concepts we actually have, many people will never actually go to those places - WDW will be their only experience. That would have been even more accurate with the unbuilt Venetian and Persian.